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This book provides an introduction to Dante that is at once accessible and challenging. Fifteen specially-commissioned essays by distinguished scholars provide background information and up-to-date critical perspectives on Dante's life and work, focusing on areas of central importance. Three essays introduce the three canticles of the Divine Comedy, and others explore the literary, intellectual and historical background to Dante's writings, his other works and his reception in the commentary tradition and in literature in English. The book also includes a chronological table and suggestions for further reading.
- Sales Rank: #2894045 in Books
- Brand: Brand: Cambridge University Press
- Published on: 1993-05-28
- Original language: English
- Number of items: 1
- Dimensions: 8.98" h x .83" w x 5.98" l, .0 pounds
- Binding: Paperback
- 290 pages
- Used Book in Good Condition
About the Author
Rachel Jacoff is Margaret Deffenbaugh and LeRoy Carlson Professor of Comparative Literature and Italian Studies at Wellesley College.
Most helpful customer reviews
19 of 19 people found the following review helpful.
Slightly dated scholarship for the penny-wise
By David Reimer
This is an able commentary to Dante, but make sure you are clear on which edition you are purchasing: the most recent (as of this review) is a March 2007 version. Sufficient edits, insights and scholarly arguments (let's not quite call them developments) exist in the 14 years between publications to make it worth being certain what you're buying before you buy.
Then again - the 1993 edition is available used for under three bucks, while the 2007 edition ranges from $25 to $50. So... choose your priority.
4 of 4 people found the following review helpful.
Open my eyes that I may see
By Charles Day
I'm just finishing my first reading of the Divine Comedy. Before tackling this daunting work I went to a good college library and checked out 5 books: The Burton Raffel translation; The Cambridge Companion to Dante (ed. by Rachel Jacoff - focus of this review); The Dante Encyclopedia edited by Richard Lansing; Images of the Journey in Dante's Divine Comedy by Taylor and Finley; and Understanding Dante by John Scott. All were very helpful and I switched back and forth as I read the Dante text. The Raffel text flows nicely and Dante explains his experiences well, but I would be sailing along in the story line then suddenly thinking, I have no idea what Dante is talking about here. The reference books and the Intro and Notes in the Raffel were an attention saver. Dante often launches into deep, detailed discussions without warning or explanation.
It was helpful to go to a great collection of artistic images to get pictures in my mind, so I could visualize what Dante was writing. I was sustained by the almost comic 15th C. picture of Beatrice literally shooting darts at Dante with her eyes, tipping him over with her glance of love, the power of her gaze. Taylor and Finley have organized their work in such a way that it is simple to go right to the part of the Commedia the reader is working on. The Dante Encyclopedia provided scholarly, helpful explanations of the meriad details Dante employs.
As to The Cambridge Companion to Dante, I found the articles by the editor/author especially helpful. She provides easy-to-understand discussions of the basic story and the MEANING AND POINT of what Dante is saying. There is an enormous amount of symbolism and the character, Beatrice, is the primary actor - everything leads to God through Beatrice. But it is easy to forget this because she does not actually appear in the text until the end of Purgatorio. Yet her role is continually referenced.
With such good resources as The Cambridge Companion to Dante by Rachel Jacoff an enjoyable and spiritually enriching experience is all but assured.
3 of 3 people found the following review helpful.
Poetic Justice
By john
It is just and right that the greatest poem the world has known, the subject of which is a journey requiring able guides, would itself require able guides for profitable reading. "The Cambridge Companion to Dante" has several Virgils, a Beatrice (editor and contributor Rachel Jacoff), and a St. Bernard of Clairvaux (A. N. Williams.) Though these are obviously playful comparisons, it is undeniable that the contributors to this volume cover most of what is needed to better understand the Comedia. Rachel Jacoff's "Introduction to Paradiso", which provides much-needed insight for that most difficult canticle of the poem, and A.N. Williams' "The theology of the Comedy", which brings the reader 'home', beginning with his succinct opening sentence, "The Comedy is a poem of ends", are especially helpful.
Another reviewer states that the scholarship of this offering is somewhat dated; if by dated, he means that it has little of the current fashion in criticism, some of which has spiraled off into the outright bizarre and strange, then I would agree. This reviewer, however, found the essays and criticisms fresh, interesting, and very useful.
Rachel Jacoff's essay on the Paradiso was probably the most helpful of this collection. She gives detail and insights on each heavenly sphere so that the reader of the poem is able to follow the recurrent themes from the earlier canticles, as well as the images and symbolism distinct to the Paradiso. Jacoff does an excellent job in outlining the model and explaining that "the souls are not literally assigned to the spheres, but, as Beatrice explains, they 'show themselves' in the hierarchy of the spheres in order to... signify the nature and grade of their beatitude."
"The impossibility of directly rendering that reality", Jacoff continues, leads us to borrow St. Bonaventure's terminology: "shadows, echoes, and pictures... vestiges, images, and displays presented to us for the contuition of God", contuition being a term coined by Bonaventure to describe the knowing of one thing in the course of knowing a first object. Knowing the essence of a creature, for instance, is the occasion for understanding something about God.
Toward the end of the essay Jacoff has a discussion on why St. Bernard serves as Dante's final guide, and it involves the Blessed Virgnin Mary, which I think Catholics will find edifying.
I recommend this work for the Dante section of any bookshelf.
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