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Women and Labour in Late Colonial India: The Bengal Jute Industry (Cambridge Studies in Indian History and Society), by Samita Sen

Samita Sen's history of laboring women in Bengal in the late nineteenth and early twentieth centuries considers how social constructions of gender shaped their lives. The author demonstrates how the long-term trends in the Indian economy devalued women's labor, establishing patterns of urban migration and changing gender equations within the family. She relates these trends to the spread of dowry, enforced widowhood and child marriage. The study will make a significant contribution to the understanding of the social and economic history of colonial India and to notions of gender construction.

  • Sales Rank: #5221477 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 1999-05-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .83" w x 5.98" l, 1.27 pounds
  • Binding: Hardcover
  • 286 pages
Features
  • Used Book in Good Condition

Review
"Women and Labour in Late Colonial India is an excellent example of women's history. In this book, Sen forces us to look at how women's lives as jute mill workers followed different trajectories than those of men, weaves a story of the complex relationship between gender and class, and insists we view the historical construction of gender as a process deeply embedded in economic, political and social processes...a must read for scholars and students of colonial history, labor history, and women's history." The Historian

"This work is an important explanation of the interplay of gender and class." Choice

"...ambitious study...Sen's work is thorough and informative...Sen's quest for working-class women's history in Bengali jute mills was a very challenging one, and she productively pushes our knowledge and questions further." American Historical Review

"Sen ventures into new territory with her assertion that gender is not secondary, but indeed primary, to the analysis of factory work. This is a must read for scholars and students of colonial history, labor history, and women's history," The Historian

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Adult Eyewitness Testimony provides an overview of current empirical research on eyewitness testimony and identification accuracy, covering both theory and application. The volume is organized to address three important issues: First, what are the cognitive, social, and physical factors that influence the accuracy of eyewitness reports? Second, how should lineups be constructed and verbal testimony be taken to improve the chances of obtaining accurate information? And third, whose testimony should be believed? Are there differences between accurate and inaccurate witnesses, and can jurors make such a distinction? Adult Eyewitness Testimony is crucial reading for memory researchers, as well as police officers, judges, lawyers, and other members of the judicial system. It will also be of interest to advanced undergraduates and graduate-level courses in applied social or cognitive psychology, criminal justice and forensics.

  • Sales Rank: #4798430 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 1994-03-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.03" h x 1.14" w x 6.26" l, 1.70 pounds
  • Binding: Hardcover
  • 452 pages
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  • Sales Rank: #4183736 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 1993-07-30
  • Released on: 1993-10-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x 1.10" w x 6.14" l, 1.60 pounds
  • Binding: Paperback
  • 538 pages
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  • Sales Rank: #16329432 in Books
  • Published on: 1993-03-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .94" w x 5.98" l, 1.34 pounds
  • Binding: Hardcover
  • 337 pages

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  • Sales Rank: #11478452 in Books
  • Published on: 1994-01-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .39" w x 6.14" l,
  • Binding: Paperback
  • 180 pages

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? PDF Ebook An Introduction to Hinduism (Introduction to Religion), by Gavin D. Flood

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An Introduction to Hinduism (Introduction to Religion), by Gavin D. Flood

This book provides a much-needed thematic and historical introduction to Hinduism, the religion of the majority of people in India. Dr. Flood traces the development of Hindu traditions from ancient origins and the major deities to the modern world. Hinduism as both a global religion and a form of nationalism are discussed. Emphasis is given to the tantric traditions, which have been so influential; to Hindu ritual, more fundamental than belief or doctrine; and to Dravidian influences. It introduces some debates within contemporary scholarship.

  • Sales Rank: #33057 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 1996-07-13
  • Released on: 1996-08-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .98" w x 5.98" l, 1.35 pounds
  • Binding: Paperback
  • 367 pages
Features
  • Used Book in Good Condition

Review
"This new introduction to Hinduism is distinguished by exceptionally useful chapter divisions, good detail combined with ease of reading, and a particular focus on the integrated quality of the evolution of Hindu thought....The book's balance between scholarly detail and clear, readable elucidation of issues is commendable....In all, this is a valuable contribution to the undergraduate classroom. Libraries whose Hinduism holdings include other good introductions should, nonetheless, acquire this one." Choice

"Flood's book is a very welcome newcomer, comprehensive, detailed and judicious." Francis X. Clooney, S.J., Theological Studies

"...is one of the best and most informative intiations into Hinduism to date." Journal of Indo-European Studies

"An Introduction to Hinduism is a highly readable and authoritative conspectus on this great religion....An Introduction to Hinduism will surely find a much wider audience, for scholars of comparative religion, Indologists, and non-specialists in their distinctive ways will certainly find this handsome book well worth reading." David Hicks, Asian Thought and Society

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51 of 53 people found the following review helpful.
Excellent Survey of Recent Literature
By Donald R. Davis Jr.
Gavin Flood's introduction is not only comprehensive, but readable. I have taught this book for two years now and feel that my students glean a sense not just of Hindu traditions today but also of the history and transformations of Hindu traditions through time. The best thing about the book is the subtle incorporation of the latest scholarly work on Hinduism. At the same time, Flood appreciates the insider's perspective and what is really significant to Hindus themselves. Flood has conducted research in both North and South India and is sensitive to the geographic differences of religious practice in India.
Previous reviews on amazon.com suggesting that Flood uses the Aryan migration question as an organizing principle of his book are ludicrous. He devotes a total of 5 pages to this discussion in the middle of the second chapter. Hardly an obsession. Furthermore, the unsubstantiated charge of Orientalism by another reviewer also seems misplaced. A minute's glance at the bibliography shows that Flood has used Indological (textual), anthropological, historical, and feminist scholarly literature to produce his introduction.
This is an excellent work on the history of Hindu religious traditions that deserves a place among the best out there.

28 of 31 people found the following review helpful.
The Introduction to Hinduism
By A Customer
Previous reviews of this text have shown either a very strong like or dislike and I have to place myself with the former. As noted in other reviews, the attacks are wide of the mark. Professor Flood is one of the leading scholars within his field and has taught Hinduism for many years at various universities and both the depth of his learning and the ability to relate this in a clear but not simplistic way to students are demonstrated here. Anyone seeking an introduction to Hinduism need look no further than this book that provides an excellent account of all its major features incorporating recent scholarship and clear analysis. My only regret is that this book was not on the market when I was an undergraduate student! I hope prospective readers will not be put off by the partial reviews given herein but will recognize this book as the definitive introduction to its subject, it is sure to become a classic eclipsing the older standard works entirely.

15 of 15 people found the following review helpful.
Well-Written and Authorative
By sunsoul
I recommend this book for the reader who has some knowledge of Hinduism and would like to delve a little deeper into the subject.

The book is clearly written, and every chapter is loaded with information. Flood knows this area very well, and he expertly guides the reader through the bewildering, and often contradictory world of Hindu philosophy and theology.

I feel that this book would work best if read along with a book that focused more on Hindu religious practice. As Flood concentrates more on the thematic trends and concepts within Hinduism, rather than on the practical, everyday rituals and rites of passage that make the religion so vibrant and alive. His book sets the picture, it gives the reader a framework from which to start painting one's own conceptual view.

I would suggest then also reading such books as "Darshan" by Eck, and "Samskara: Rites of a Dead Man" by Murthy, in conjunction with this in order to get a more holistic and in-depth understanding of a complex subject.

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Sabtu, 25 Oktober 2014

>> Fee Download The Theology of Paul's Letter to the Romans (New Testament Theology), by Klaus Haacker

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The Theology of Paul's Letter to the Romans (New Testament Theology), by Klaus Haacker

A respected expert on Paul's writings, Klaus Haacker presents this introduction to the theology of the Letter to the Romans to complete Cambridge's New Testament Theology series. Haacker focuses on themes such as righteousness, mission, the "mystery of Israel", suffering and hope, and preaching. Engaging with Paul's rhetoric, he reveals how ancient Rome and the Christian reinterpretation of the legal heritage of Israel provide contexts for the Letter. The book will be of interest to teachers, pastors, and students of theology and the New Testament.

  • Sales Rank: #1673863 in Books
  • Published on: 2003-12-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .43" w x 5.43" l, .55 pounds
  • Binding: Paperback
  • 196 pages

Review
'Haacker, building on the work of his earlier commentary on Romans, rises to this challenge in an admirable manner ... Haacker's study of the theology of Romans is an extremely rich and helpful treatment.' The Expository Times

'Students will benefit from its clarity and its comprehensiveness within manageable proportions, while scholars will appreciate the maturity of its analysis. It is thus a fitting culmination to a distinguished series.' Journal for the Study of the New Testament

'Many readers of Churchman will doubtless wonder if it is worth adding another book on Romans to the commentaries of their shelves: in this case, it is. Klaus Haacker, Professor of New Testament Studies at the Barmen School of Theology has completed Cambridge's New Testament Theology series with a concise and illuminating introduction to Paul's mighty manifesto. ... Professor Haacket's book is clear and easy to read: a considerable achievement given that he is not writing in his native language. ...this is a valuable study in how Romans might have been read by its intended audience. Churchman

About the Author
Klaus Haacker is Professor of New Testament Studies at the Barmen School of Theology, Wuppertal, Germany.

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> Free Ebook Literature and Domestic Travel in Early Modern England, by Andrew McRae

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Literature and Domestic Travel in Early Modern England, by Andrew McRae

In the early modern period, the population of England travelled more than is often now thought, by road and by water: from members of the gentry travelling for pleasure, through the activities of those involved in internal trade, to labourers migrating out of necessity. Yet the commonly held view that people should know their places, geographically as well as socially, made domestic travel highly controversial. Andrew McRae examines the meanings of mobility in the early modern period, drawing on sources from canonical literature and travel narratives to a range of historical documents including maps and travel guides. He identifies the relationship between domestic travel and the emergence of vital new models of nationhood and identity. An original contribution to the study of early modern literature as well as travel literature, this interdisciplinary book opens up domestic travel as a vital and previously underexplored area of research.

  • Sales Rank: #4361428 in Books
  • Published on: 2009-09-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .71" w x 5.98" l, 1.30 pounds
  • Binding: Hardcover
  • 260 pages

Review
"Refreshingly shifting our focus from international travel and trade to mobility within England, McRae's book is well worth reading."
Linda Woodbridge,Pennsylvania State University

"Andrew McRae's Literature and Domestic Travel in Early Modern England is an ambitious and vibrant book. Its reach exceeds its grasp, but even so it offers an important vision of the early modern English culture of popular mobility."
Glenn Clark, Modern Philology Book Reviews

"... we must welcome a book that contains such valuable critiques of recent scholarship in economic, tourism, and landscape history, and shows such multidisciplinary engagement with varied sources."
Comparative Studies in Society and History

About the Author
Andrew McRae is Professor of Renaissance Studies in the Department of English at the University of Exeter.

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0 of 0 people found the following review helpful.
McRae's Work is Thorough and Enjoyable
By Sa'al
McRae looks at many aspects of literary travel in insightful and deep ways that few have worked with in recent years. His is a scholarly yet readable style that makes us want to learn more, and causes us to become travellers also.

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Jumat, 24 Oktober 2014

^ PDF Download Business Organization and the Myth of the Market Economy, by William Lazonick

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Business Organization and the Myth of the Market Economy, by William Lazonick

This book explains the changes in industrial leadership from Britain to the United States earlier in this century and from the United States to Japan more recently, in terms of the changing business investment strategies and organizational structures in these nations. The author criticizes economists for failing to understand these historical changes. The book shows that this intellectual failure is not inherent in the discipline of economics; there are important traditions in economic thought that the mainstream of the economics profession has simply ignored.

  • Sales Rank: #2333923 in Books
  • Brand: Brand: Spain: Cambridge Univ Pr
  • Published on: 1993-05-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .87" w x 5.98" l, 1.14 pounds
  • Binding: Paperback
  • 392 pages
Features
  • Used Book in Good Condition

Review
"Lazonick successfully marries economic theory (especially the work of Marx, Marshall, and Schumpeter) to the history of technology and business organization as exemplified in the books of David Landes and Alfred Chandler. He then applies this blend of insights to contemporary issues of economic growth in Japan and relative decline in Britain and America. The result is a controversial but richly informative analysis--almost an intellectual hand grenade tossed into contemporary discussions. It is hard to think of another scholar who could match the combination of boldness, graceful writing, and intellectual challenge that this book represents." Thomas K. McCraw, Harvard University

"What makes this an interesting book...is Lazonick's unique perspective on the rise and fall of the U.S. economy and the interpretations of it by economists....With the stakes so high, one can only hope that Lazonick's book achieves a wide readership." Mark S. Mizruchi, Contemporary Sociology

"Lazonick's book is provocative and exceptionally well-written, and its superb survey of the central ideas of prominent economic historians alone make the book well worth reading." Choice

"...an important interpretation of economic development and a recognition that theory must be restructured to understand dynamic processes. For the breadth and significance of the questions it poses and the answers it gives, this book deserves a wide reading among economists, historians, and other students of social life." Journal of Economic Literature

From the Back Cover
This book explains the shift in industrial leadership from Britain to the United States earlier in this century and from the United States to Japan more recently in terms of the changing business investment strategies and organizational structures in these nations.

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12 of 13 people found the following review helpful.
Corporate Capitalism as a non-market process
By Ian Murray
Picking up where he left off in "Competitive Advantage on the Shop Floor", Lazonick deepens his critique of capitalism's self-representation in neoclassical economic theory. Combining the insights of Schumpeter, Marshall and Marx, he convincingly argues that the emergence of large corporations actually displace "free market" "mechanisms" of resource allocation, radically changes the manner in which the pricing of commodities occurs, and transforms the balance of power between workers and the owners of enterprises. Central to his analysis is the various ways in which organizational complexity and planning within large firms leads to an undemocratic politics of knowledge creation and diffusion that determines the division of the firm's revenue into wages and profits. In the process of narrating the emergence of corporate capitalism, Lazonick elaborates on how large enterprises become locked into economies of speed that exacerbate "labor-management" tensions that, in turn, sap firm's abilities to innovate in the face of international competition. When societies fall prey to these problems, economic stagnation and class conflict result and those with the power within corporations use that power to grab a larger share of a revenue-pie that is either growing at a much slower rate or shrinking. For Lazonick, capitalism is a non-equilibrium process that is always political, generative of uncertainty and an "inequality [that] has undermined the incentives for those who participate in the business organization's specialized division of labor to make the long-term commitment's of their skills and efforts that the innovation process requires." Like "Competitive Advantage on the Shop Floor", this one is a must read; and at a fraction of the cost.

3 of 16 people found the following review helpful.
Nothing new here...twisted prose
By A_2007_reader
Nothing new here... just a tortured and twisted spin on the standard "theory of the firm" as developed by economists over the last 50 years. The author tries hard to rehash this stuff as his own original insight with a twist, using "Japan Inc" as a role model (bad choice, but the book was written in 1991). He plays lip service to "theory of the firm" giants like Arrow, Coase and others, but belittles them, as if he has something better to offer (he doesn't). Essentially the author points out that monopolies don't play by the rules laid out in perfect competition, then he tries to make the unproven case that a company, by its organization or society's organization, can 'will' or 'transform' inself into a monopoly (this is the apparently original 'twist' by the author). While that's every company's dream, and many try to do this (via product differentiation, patents, economies of scale, etc) the author doesn't really make his case as to how to do this on a systematic basis, or if it has ever happened thus.

A waste of paper; into my fireplace it goes.

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** Download PDF Paratexts: Thresholds of Interpretation (Literature, Culture, Theory), by Gerard Genette

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Paratexts: Thresholds of Interpretation (Literature, Culture, Theory), by Gerard Genette

Paratexts: Thresholds of Interpretation (Literature, Culture, Theory), by Gerard Genette



Paratexts: Thresholds of Interpretation (Literature, Culture, Theory), by Gerard Genette

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Paratexts: Thresholds of Interpretation (Literature, Culture, Theory), by Gerard Genette

Paratexts are those liminal devices and conventions, both within and outside the book, that mediate between book, author and reader: titles, forewords and publishers' jacket copy form part of a book's private and public history. In this first English translation of Paratexts, Gérard Genette offers a global view of these liminal mediations and their relation to the reading public. With precision, clarity and through wide reference, he shows how paratexts interact with general questions of literature as a cultural institution. Richard Macksey's foreword situates Genette in contemporary literary theory.

  • Sales Rank: #992426 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 1997-03-13
  • Original language: French
  • Number of items: 1
  • Dimensions: 8.50" h x 1.02" w x 5.43" l, 1.31 pounds
  • Binding: Paperback
  • 456 pages
Features
  • Used Book in Good Condition

Language Notes
Text: English (translation)
Original Language: French

From the Back Cover
In 'Paratexts, ' an English translation of 'Seuils, ' Gerard Genette shows how the special pragmatic status of paratextual declarations requires a carefully calibrated analysis of their illocutionary force.

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10 of 10 people found the following review helpful.
A landmark in narratology
By Amanda Garzia
I thought that this classic work by Genette was going to be a tad daunting. However, I couldn't have been more mistaken. I purchased "Paratexts" to better analyse the paratextual features of a number of autobiographical novels written for children even though Genette's focus is on literature in general. Genette goes into a lot of detail yet his explanations are always very clear. Although the examples provided are often taken from the canon of French literature, this should not,in my opinion, prove to be an obstacle for any reader, whether literature scholar or enthusiast. The text deals with practically each and every facet of the paratext and it is invaluable for any scholar, particularly scholars who are interested in aspects of narratology which are often ignored or simply taken for granted. This book has made me realise that paratexts coach the reader into adopting the role moulded for him or her by the author and/or publishing house. But can paratexts subtly influence the reader's potential to read against the grain? "Paratexts" is the kind of enterprise that makes one think seriously about this and other intriguing questions occupying narratology today.

26 of 28 people found the following review helpful.
A brilliant essay
By A Customer
Paratexts (titles, epigraphs, notes and the like) add dimensions of meaning and effect, theme and rhetorical power to literary works; yet, oddly, before Genette, they were taken for granted, that is: mis-taken.
Like his other major works, Narrative Discourse, and Palimspestes, Paratexts is a clear, well supported, and coherent encyclopedia of sub-forms defined and illustrated in a series of brilliant analyses. Genette's insights improve the reader's, not only into works both know, but above all, perhaps, into those as yet unread by either.
Of all recent French theorists, Genette is closest in spirit and method (as well as accessibility) to mid-century American formalists. And though his work can be exploited by cultural studies and even gender theorists, it remains sharply focused on the alpha and omega of literary study: the text.

David Lee Rubin

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! Download Ebook Chopin: The Piano Concertos (Cambridge Music Handbooks), by Professor John Rink

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Chopin: The Piano Concertos (Cambridge Music Handbooks), by Professor John Rink

Chopin's E minor and F minor Piano Concertos played a vital role in his career as a composer-pianist. This Handbook reevaluates them so that their many outstanding qualities can be fully appreciated. It describes their genesis, Chopin's own performances and his use of them as a teacher. A survey of their critical, editorial and performance histories follows, in preparation for an engaging narrative analysis of the concertos as embodied in sound. The final chapter investigates Chopin's enigmatic "third concerto", the Allegro de concert.

  • Sales Rank: #3465253 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 1998-01-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .35" w x 5.43" l, .40 pounds
  • Binding: Paperback
  • 152 pages
Features
  • Used Book in Good Condition

Review
'John Rink maintains the high standards of previous handbooks in the series. The book is extremely informative and well documented, and Rink's concise prose is nicely varied in tone, whether historical, analytical, or as in some places, highly personal in interpretation. Directed at a wide audience of performers, academics and general readers, Rink's perceptive musical insights carry the authority of both scholar and skilled performer.' National Early Music Association

About the Author
John Rink is Professor of Music at Royal Holloway, University of London.

Julian Rushton is Emeritus Professor of Music at the University of Leeds (UK) and Chairman of the Editorial Committee of Musica Britannica.

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17 of 17 people found the following review helpful.
Setting the records straight
By Jerome Xavier DuBois
Renowned Polish composer Frédéric François Chopin (1810-1849) composed an amazing variety of compositions including some 50 mazurkas, 25 preludes, 24 etudes, 21 nocturnes, 17 waltzes, 11 polonaises, 4 ballades and 3 sonatas. Chopin's E minor and F minor Piano Concertos, however, are particularly important as they played a vital role in his career as a composer-pianist. Chopin: The Piano Concertos, written by Chopin expert John Rink - recipient of a Ph.D. from Cambridge University for his thesis The Evolution of Chopin's `Structural Style' and its Relation to Improvisation in May, 1989 - provides an engaging, comprehensive analysis of these concertos as well as providing vital information about the environment in which these Concertos were composed and how they were received. The author's multifaceted exploration of these concertos successfully provides the reader with a sound understanding of Chopin's Piano Concertos as well as offering a deeper appreciation for his work and his genius. As well as including Chopin's E minor and F minor Piano Concertos, the book is complete with an in-depth analysis of Chopin's enigmatic `third concerto', the Allegro de concert.
Before going into Chopin's Piano Concertos, the author sets the tone for the book by noting that "Chopin's piano concertos have enjoyed enormous popularity ever since their composition ... but they have also suffered some of the harshest scholarly criticism inflicted on his works". He rebuttals with, "... when viewed as music to be performed rather than scores to be dissected on paper, they belong to [Chopin's] most successful creations". He offers this book as "[an attempt] to set the record straight, re-evaluating the concertos against the early nineteenth-century traditions that shaped them so that their many outstanding qualities can be better appreciated."
In his first chapter, appropriately titled "Creation", the author explains the great significance of the Piano Concertos to Chopin's evolution as a musician. He describes the creation of Chopin's F minor Concerto, Chopin's newly found commitment to a virtuoso career, the creation of the E minor Concerto, and offers a brief introductory analysis of the parallels between these two concertos. He goes on to describe the first performances, first reviews and first editions of these concertos, explaining the general acceptance of Chopin as a genius in the musical community, yet also the criticism Chopin faced introducing a creativity that was often mistaken as a weakness. The chapter continues with an overview of the publication of these concertos and concludes with an insightful section titled "Chopin as teacher", outlining Chopin's teaching practices and depicting a connection between the glosses in scores used by Chopin's pupils and associates and Chopin's own playing and teaching styles.
Before reevaluating the concertos, the author provides a chapter titled "Interpretation", summarizing Chopin's incredibly diverse reception over the past 150 years and providing an inclusive summary of reactions from noted critics, composers, editors and performers. These reactions include, among others, those of critics Ludwig Rellstab, Gottfried Fink, J. W. Davidson, and those of composers Schumann and Liszt. An analysis of Frederick Nieck's influential biography of Chopin - the first scholarly monograph on Chopin - and its impact on society and influence on future authors assessing the concertos is also included. The author continues with a description of the trials and tribulations in the musical scores of these concertos, explaining the evolution of the scores from first edition to later versions, collected editions, editions with second-piano accompaniment, full scores, transcriptions and arrangements and finally re-orchestrations. The chapter concludes with a discussion titled "Performers", a very interesting and informative section considering Chopin's first two concertos are available on over seventy recordings each, performed by most concert pianists throughout the twentieth century. The author describes an appeal from several of Chopin's former students - Lenz, Mikuli and Princess Marcelina Czartoryska - that Chopin's concertos had been misinterpreted, and goes on to further debate the interpretations of Chopin's music.
Having successfully prepared the readers, author John Rink goes on to offer his own re-evaluation of the two concertos. Beginning my explaining the principles and premises by which music is evaluated, he describes his narrative approach in the analytical re-evaluation of Chopin's concertos:
"I shall first define each movement's skeletal structure, identifying important `stabilizing' features such as tonal scheme and sectional form, and then in tracing through the music I shall observe temporally defined processes like the generation and relaxation of momentum, rhythmic flux, and small- and large-scale gestural impulse, all of which help to transform the structural bedrock into a living musical statement."
He goes on to do just that, providing 17 pages of analysis on Chopin's Opus 21 and a subsequent 22 pages of analysis on Opus 11. He cautions that "words can never fully capture musical experience: its temporal course and emotional impact ultimately lie beyond the powers of verbal description" and continues by stating that "the foregoing analytical re-evaluation is in one sense another futile attempt to encapsulate the concertos in words, but at least it has been undertaken in a spirit of appreciation, not denigration. If nothing else, it has revealed the utter hollowness of Nieck's criticisms and those of his successors".
Finally, the fifth and final chapter "Chopin's third concerto" explores Chopin's third concerto, the Allegro de concert... Unlike the other two concertos, the author concludes that the current evaluation of this concerto is quite fair and states:
"it may be a legitimate interpretation, sure to be superseded in due course, but for the time being enlightening some aspect of the music's elusive meaning while leaving space for fresh evaluations to come."
The nature of this book is somewhat complex, however this book appeals not only to the music scholar but also to the music enthusiast. The comprehensive, informative and engaging nature of the book alone is sufficient to give it purpose, however, the heart of this book really lies in the re-evaluation of Chopin's first two concertos. John Rink set out to set the records straight, and succeeded to do so in an analytic and objective manor. As a devoted admirer of Chopin's work myself, having listened to Chopin everyday during the entire 9 month term before my birth and having learned to play his pieces since the age of 3, I find deep emotion, passion and genius in Chopin's work. However, to write a book such as this one takes a vast scholastic understanding of music and Chopin in particular, and John Rink is certainly qualified to do so. Previously I had little knowledge of these concertos, however I'm sure that even if I had, I would still have found this book to be very valuable, as I'm sure many others have and will. It is a valuable and much needed contribution to the study of Chopin.

0 of 0 people found the following review helpful.
It is thoroughly researched, and although personal in some ...
By Philip I Adamson
It is thoroughly researched, and although personal in some of his assessments, Prof. Rink has made a valuable contribution to the literature about Chopin.

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