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Paratexts are those liminal devices and conventions, both within and outside the book, that mediate between book, author and reader: titles, forewords and publishers' jacket copy form part of a book's private and public history. In this first English translation of Paratexts, Gérard Genette offers a global view of these liminal mediations and their relation to the reading public. With precision, clarity and through wide reference, he shows how paratexts interact with general questions of literature as a cultural institution. Richard Macksey's foreword situates Genette in contemporary literary theory.
- Sales Rank: #992426 in Books
- Brand: Brand: Cambridge University Press
- Published on: 1997-03-13
- Original language: French
- Number of items: 1
- Dimensions: 8.50" h x 1.02" w x 5.43" l, 1.31 pounds
- Binding: Paperback
- 456 pages
- Used Book in Good Condition
Language Notes
Text: English (translation)
Original Language: French
From the Back Cover
In 'Paratexts, ' an English translation of 'Seuils, ' Gerard Genette shows how the special pragmatic status of paratextual declarations requires a carefully calibrated analysis of their illocutionary force.
Most helpful customer reviews
10 of 10 people found the following review helpful.
A landmark in narratology
By Amanda Garzia
I thought that this classic work by Genette was going to be a tad daunting. However, I couldn't have been more mistaken. I purchased "Paratexts" to better analyse the paratextual features of a number of autobiographical novels written for children even though Genette's focus is on literature in general. Genette goes into a lot of detail yet his explanations are always very clear. Although the examples provided are often taken from the canon of French literature, this should not,in my opinion, prove to be an obstacle for any reader, whether literature scholar or enthusiast. The text deals with practically each and every facet of the paratext and it is invaluable for any scholar, particularly scholars who are interested in aspects of narratology which are often ignored or simply taken for granted. This book has made me realise that paratexts coach the reader into adopting the role moulded for him or her by the author and/or publishing house. But can paratexts subtly influence the reader's potential to read against the grain? "Paratexts" is the kind of enterprise that makes one think seriously about this and other intriguing questions occupying narratology today.
26 of 28 people found the following review helpful.
A brilliant essay
By A Customer
Paratexts (titles, epigraphs, notes and the like) add dimensions of meaning and effect, theme and rhetorical power to literary works; yet, oddly, before Genette, they were taken for granted, that is: mis-taken.
Like his other major works, Narrative Discourse, and Palimspestes, Paratexts is a clear, well supported, and coherent encyclopedia of sub-forms defined and illustrated in a series of brilliant analyses. Genette's insights improve the reader's, not only into works both know, but above all, perhaps, into those as yet unread by either.
Of all recent French theorists, Genette is closest in spirit and method (as well as accessibility) to mid-century American formalists. And though his work can be exploited by cultural studies and even gender theorists, it remains sharply focused on the alpha and omega of literary study: the text.
David Lee Rubin
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